The Place of Artists' Cinema: Space, Site, and Screen

“O’Brian and Borsos confront readers with jarring perspectives of the Cold War. Their collection of postcards―drawn from more than a dozen countries and spanning 1945 to 1989―shows how the nuclear industry, and the weapons it generated, somehow came to be an accepted part of everyday reality and one that was reflected in the most mundane aspects of popular culture. . . . The reader is forced to ponder the extent to which nuclear threats became normalized and simply an accepted aspect of everyday life during the Cold War.”

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